Now that I have a bit more time on my hands, I'm taking advantage of my room. Nathan (stepson) is getting married 3 weeks today, and I'm making him and Vivika a memory box. The colour theme is black, purple and silver - our church won't know what has hit them - and I don't think Nathan and Viv were prepared for our church! Anyway, I've got 3 panels on the go for their box - a different colourway to those I've done previously, but great fun! I'm getting better at using the sewing machine as a pencil to write names, although the pesky rayon / metallic thread has been playing up.
A question was posed to my DH last night - how much would people pay for one of these boxes? I've posted this question on my facebook page, and wait with anticipation (and trepidation (is that actually a word?)) for the answers. Today I thought that I would share a couple of wedding projects with you, - but not projects that the recipients have not yet seen (fair's fair!). The first one is a book - hand made - put the papers together, sewed them together, made the cover as well. Th e cover is made using a technique I learned at a Step by Step workshop. The title of the workshop was 2 inches textured, and I did the workshop in February (I think) this year - I had to pull out of the workshop last year due to family bereavement; there was no way I was going to miss it this time around! The lady who runs the workshop is Vinnie Cable - a very talented lady; I believe she is an accountant by day, and textile artist the rest of the time. She doesn't just use fabric, she uses all sorts of materials in her work - including plastic, tyvek, sweet wrappers, foil from round wine bottles, the tough plastic that you find as pouches of chocolates (e.g. Roses). The technique is one that I love - I've made about 5 or 6 panels using the technique, in different colours. The great thing about it, is that you get such different effects and looks from the number of times and ways in which you cut, rearrange and sew the panel. This book used the panel I made at the workshop. Others used very different colours, but I had a specific idea in mind - something for my sister's wedding - so I wanted white, ivory, cream and gold. To look really effective and give it that 'zing' - you really need to have a way out colour in there - but I was quite happy with how mine turned out - and it gives a chance to use some of the more difficult fabrics (silks, stretchy, velvet, lace). I was also able to use some bits from the panels I made for my step-sister's memory box. I know that I am biased, but I think mine was the best looking one there!
Us quilters are a versatile lot, and having made a memory box for my sister, I used part of the panels for something else. This has now prompted me to seriously think about expanding my crafting repertoire further, and I've made the necessary steps and bought some (most) of the tools and materials necessary. I'm extremely reluctant to throw anything away - and I keep the 'remnants' of the box panels - for use in something else in the future. Caro and Stu's wedding (my sister and her DH) provided an ideal opportunity: cards. I was really quite impressed with how this turned out, and it is special because it is a link with the memory box I've made them. It's also a form of recycling - reducing waste, re-using materials. I now want to start creating a line of wedding cards, and general purpose cards. All I need now is a stamp to show who made it - either that, or I need to create some sticky labels. I have started to look into marketing these things - cost of materials, where to sell, how much to charge, - and the website www.etsy.com is one of the places to go to find similar things, and get ideas.
Having bought some card making materials, I had an idea about how I could use the stampers. I know that I can ink them, and print the design on paper; browsing TV channels brought me to Create and Craft tv - and I saw how the stamps are used with angelina and fusible film. That is really what prompted me to buy the stamps, but the other day I had a flash of inspiration: I have some pebeo setacolour paints, and I could use them to colour the stamps, and stamp onto fabric. Create and Craft channel - one of the best and worst channels I could have found; best because you see people creating and using the items they are selling, answering questions that people ask about how to use the tools and materials; worst - because there are so many items that you think you would quite like to have....seeing the Cuttlebug machines makes me wonder whether they would work with fabric as well....? Also makes me think that the Accuquilt system might be required!
Before I go to continue with my box making, a couple more things to share; two quilts (wallhangings) I made last summer for my classroom - great thanks go to Block Party Studios for their wonderful hand printed panels. These hangings seemed to go largely ignored by the pupils in my classroom, but when they came up to my desk, the hanging was handled, and they were suitably impressed when I told them that I had made them both!
Showing posts with label Angelina. Show all posts
Showing posts with label Angelina. Show all posts
Saturday, 4 June 2011
Thursday, 20 November 2008
Catch 22
Hi there!
Today, as I'm off school due to a viral infection, I thought that I would put a bit more on this blog. I've chosen one of my 'darker' pieces today - Catch 22. I did this as an entry for the Quilting Arts calendar competition 2008 - so was making it is 2007. I really quite like it, although I suppose it looks fairly freaky. Here it is to show you what I mean:

if you've never read Catch 22, I suggest that you do so - I've read it many times - it was a set text for A Level English. I shall now explain the quilt to you. The face is a yellowish shade, that is always just short of being jaundice. One of the yes is a black eye, and this ties in with the feathers in the cap. One of the officers was obsessed with black eyes and feathers in his cap - everything was either good for him or not. The red pennants are for another officer who was obsessed with marching, and desired to win them at the Sunday parade every week. The foot is the one from the Monty Python cartoons - I consider Catch 22 and Monty Python to be alike in the zany-ness. The toes, and the gums are painted purple - because that was the cure for all ills in the camp - to paint toes and gums with gentian violet solution. One of the characters wanted apple cheeks - so my quilt has apple cheeks. There are reels of Egyptian cotton, as Milo Minderbinder was buying and selling Egyptian cotton - the cotton is from the King Tut collection. The m&m packet (image printed on treated cotton) signifies m&m enterprises (Milo Minderbinder again). The letter with all the words blanked out shows the letters that Yossarian censored while he was in hospital. The mouth is dark inside, because of a description of someone in the hospital - the description goes: "The colonel was gorgeous. He had a cavernous mouth, cavernous cheeks, cavernous, sad, mildewed eyes." It was the best way to show the cavernous mouth. One of the officers who sorted out rooms for the soldiers on leave - and he lost an eye by someone throwing flowers during a parade. The cat is sleeping on someone's face - Huple's cat sleeps on Hungry Joe's face. There is a sack of potatoes with the 'Dove' soap in there, for the time the squadron was poisoned when cakes of soap were mashed in to the potatoes. The flies are there in the eyes for the flies in Appleby's eyes, which Appleby can't see, because he's got flies in his eyes. How can you see the flies in your eyes, if you've got flies in your eyes??
The eyes are wobbly ones and on zany spirals, because that is the effect Catch 22 has on your head! Finally, the 'person' cut in half is Kid Sampson, who was cut in half by McWatt - who decided to fly low - as usual.
All of the items in the quilt are my lasting memories of that book. It didn't get any where with the challenge - and I suppose it is not so surprising as it is rather gruesome. However, it was conceived and made at a time when I was suffering with depression - quite severely.
Why did I stick with it, and why have I shown it to you? All the quilts are a part of me, and this one used many new techniques - Angelina film, printing on fabric, using Heat 'n' Bond to create moulded flowers, and fabric painting. I did quite enjoy making it, and I think it shows some of the lighter side of the book, the grim nature of it, and the zany-ness of it too! Not bad, for a quilt 24 inches square.
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