Rag Dolls

I realised yesterday that I need to have a bit more of a systematic approach to my blog and the posts! Reading through previous posts, I saw that I had given one a title including the word dolls - and nothing about dolls in it, so I'm going to rectify that right now!

This photo on the left was taken last summer - during Cowes Week. I had made this rag doll for my niece - Maisie; this comes from another Step by Step workshop, this time the tutor was Julia Davis, one of the owners of the shop. The pattern was very easy to follow - and the bloomers extremely easy to make (so much so I've made lots of pairs, and adapted them to trousers). Julia suggested sewing the bloomers to the doll, but I knew that I wanted a rag doll who could be dressed and undressed - and then came the decision to make a rag doll for Maisie - and clothe it too! I've not made clothes before, so this was another new challenge for me. The clothes that the doll is wearing here is a dress that I invented - I changed the style of the skirt (it has a sort of kick-pleat affair at the back, but starting from the bodice), the sleeves were straight rather than being gathered. She has a pair of red bloomers, and a red petticoat under the dress. I also provided her with another pair of trousers and another petticoat. The additional petticoat has a waistband attached. I saw great potential in making dolls clothes, and so set about buying (yet more) fabric that would be suitable for clothes - making something a bit more glamourous. I've started on some ballgown / party dresses in satin - gold with holographic spots, pink with holographic spots, lilac / lavender, and lavender trousers in satin / silk type thing. I'd like to make a jacket with a chinese collar as well, but haven't got quite that far yet. This year for Maisie's birthday I sent down some more clothes for the doll:

I was particularly pleased with this dress. No, I didn't cut and sew all the strips onto black fabric - the fabric came like it already (thank goodness!). I used red broderie anglaise for the sleeves and bodice, and put shirring elastic round the edge of the sleeves. I added a belt, and both the belt and the bodice have press studs to do them up. I also made bloomers and trousers to go with the outfit (I think I sent them both down, although I could be wrong!):

With the bloomers I added shirring elastic around the bottom edge (but a little bit up), to give the appearance of old fashioned bloomers - all that is missing is a little mop cap! (or is it a mob cap? I'm too young to know!)

I love the look of broderie anglaise - it's so feminine and pretty.

The hair for the doll was made from wool, and it was chunky, with 2 'strands' of darker wool, and 1 of the lighter. I spent time unraveling the lighter wool, which gives the wavy appearance. The darker wool has not been wasted. I've used it on my own rag doll (the one made at the workshop), and her hair looks a bit like dreadlocks - it's quite thick.

Going through my photos of projects, deciding which pictures to upload and show on here, I have realised that I don't have any photos of my first rag doll - or any of the clothes I've made for her; I'll remedy that later.

Thanks to Kath for the comment on the last post - and Kath - I will CERTAINLY show pictures of the box I'm currently making, but you are going to have to wait about a month for the photos. It is a policy of mine not to show pictures of WIPs (works in progress) if they are being made as a gift for someone. I only post photos of such projects once the recipient has received the gift! I remember a pupil saying that he had seen my official wedding photos (he was the nephew of our photographer), and I was a bit put out by that; it didn't help that he shouted it out in a lesson!

I've posted a question on facebook - doing a bit of market reasearch, as to how much people would be prepared to pay for a handmade A4 memory box. Any followers or others reading the blog - I'd like to know what your view is on this. How much would you be prepared to pay for a memory box like the ones shown in my earlier posts? Each box is an original - no two will EVER be the same (even if I tried to make them so, I wouldn't manage it!)

Until next time, happy sewing / quilting / crafting

Quilting and television

I've just finished writing emails and updating my blog, and commenting on the Patchwork and Quilting magazine, December edition. There have been some very interesting articles this month, including one on blogging. The author of the article - Sue House - has her own blog, which I've added in the blogs I'm following. As time allows, I shall add other blogs I'm following / trying to follow as well.

I've been extending my quilting skills with Block of the Month projects from Antique Angel. There have been numerous times when I've cursed myself for starting them, but I'm glad that I'm doing them - learning new techniques, trying new things.

There are some interesting competitions in Patchwork and Quilting this month, including one about making a Christmas container - I'm tempted by this, but I think that I may end up submitting a stocking - and it will probably be one that I've made already, and that features on this blog. I suppose I could try something else, but timing is the issue, and there are already so many other things that I want to be working on.

Anyway - the title of this post. I'm just wondering what other quilters do when they sit and quilt. I'm lucky enough to have my own sewing room to go to - although the cats have assumed it as their room - with one of them sitting on the chair I use at the sewing machine, and the other sitting on the cutting table - and on the cutting mat. I like to sit in there listening to a talking book, or watching a film (generally listening to the film rather than watching it). When I'm upstairs doing some hand quilting (on my Harlequin quilt), I sit watching whatever is on television - such as CSI, Bones, Lie to Me, House, Criminal Intent, Deep Space Nine. I've recently seen some programmes advertised for quilting. Some of the CCTv programmes on MyChannel - (Sky 171) about textile artists, and Quilt in a Day on Rural TV (Sky 279 - I think). I shall watch these with great interest. However, all of us have some guilty pleasures - and mine are old soaps. A couple of years ago I watched Howard's Way to it's conclusion (from start to finish), and also Dallas (except the television company didn't have all the series, so kept showing series 1-5 - and I wanted to see the rest of them!). My current guilty pleasure is Dynasty. It is great - it is so bad, it's good! Don't you just love seeing all those shoulder pads, seeing Steven Carrington walking around like a wet weekend and looking depressed all the time; barely hearing what Krystle is saying due to her husky voice; seeing Fallon being such a scheming and manipulative little minx; Blake Carrington looking like a caring patriarch, and actually rivalling JR Ewing for the baddie. This is not how I remember Dynasty - I remember it with Fallon being taken up in a spaceship, and later coming back as someone different, with Alexis Colby coming in, and then the spin off series - The Colby's - with Sable Colby, and Maxwell Caulfield then whisking Fallon away...Oh, what delights yet to come!

Why do I sit and sew with the television on? What do other quilters do? I sit and sew and watch programmes because that is what I did 20 years ago (okay, maybe only 18), when I was at home. I remember Friday evenings sat with my mum and sister in the living room. I would be sat in a gold colour Parker Knoll recliner, with a twin lamp on my right hand side. We would sit and watch television - we would watch Coronation Street (I think), Gardener's World, Love Hurts (who remembers that with Adam Faith and Zoe Wannamaker - I'd love to see that again), and I would sit sewing. At that time it was English patchwork, and I still have the templates somewhere. The Harlequin quilt that I am currently quilting (by hand, as the rest of it has been done by hand), was started later, and I've not yet quilted the quilt I was making at that time. However, I have quilted my first quilt - the one that started this hobby / passion / obsession.

The quilt on the left shows my first quilt. I finally quilted it in 2002, having started it in about 1986. I bought my house in 2002 (which I have since sold), and that summer I went to Hythe to house sit for Grandad Banks. I took this quilt along, and sat handquilting it. It is all done by hand, and has vermicelli quilting on it. I dind't bind the quilt, I used a different technique - I used the self-finish, by folding under the backing, and then sewing through all the layers - using a running stitch. I had already tacked down the seam allowances of the hexagons.

Time for me to publish now, as I've just been asked if I have any buttons (stupid question), and how fast am I at sewing buttons on trousers - so I'm doing a bit of work for a stepson!!

Catch 22

Hi there!

Today, as I'm off school due to a viral infection, I thought that I would put a bit more on this blog. I've chosen one of my 'darker' pieces today - Catch 22. I did this as an entry for the Quilting Arts calendar competition 2008 - so was making it is 2007. I really quite like it, although I suppose it looks fairly freaky. Here it is to show you what I mean:

if you've never read Catch 22, I suggest that you do so - I've read it many times - it was a set text for A Level English. I shall now explain the quilt to you. The face is a yellowish shade, that is always just short of being jaundice. One of the yes is a black eye, and this ties in with the feathers in the cap. One of the officers was obsessed with black eyes and feathers in his cap - everything was either good for him or not. The red pennants are for another officer who was obsessed with marching, and desired to win them at the Sunday parade every week. The foot is the one from the Monty Python cartoons - I consider Catch 22 and Monty Python to be alike in the zany-ness. The toes, and the gums are painted purple - because that was the cure for all ills in the camp - to paint toes and gums with gentian violet solution. One of the characters wanted apple cheeks - so my quilt has apple cheeks. There are reels of Egyptian cotton, as Milo Minderbinder was buying and selling Egyptian cotton - the cotton is from the King Tut collection. The m&m packet (image printed on treated cotton) signifies m&m enterprises (Milo Minderbinder again). The letter with all the words blanked out shows the letters that Yossarian censored while he was in hospital. The mouth is dark inside, because of a description of someone in the hospital - the description goes: "The colonel was gorgeous. He had a cavernous mouth, cavernous cheeks, cavernous, sad, mildewed eyes." It was the best way to show the cavernous mouth. One of the officers who sorted out rooms for the soldiers on leave - and he lost an eye by someone throwing flowers during a parade. The cat is sleeping on someone's face - Huple's cat sleeps on Hungry Joe's face. There is a sack of potatoes with the 'Dove' soap in there, for the time the squadron was poisoned when cakes of soap were mashed in to the potatoes. The flies are there in the eyes for the flies in Appleby's eyes, which Appleby can't see, because he's got flies in his eyes. How can you see the flies in your eyes, if you've got flies in your eyes??

The eyes are wobbly ones and on zany spirals, because that is the effect Catch 22 has on your head! Finally, the 'person' cut in half is Kid Sampson, who was cut in half by McWatt - who decided to fly low - as usual.

All of the items in the quilt are my lasting memories of that book. It didn't get any where with the challenge - and I suppose it is not so surprising as it is rather gruesome. However, it was conceived and made at a time when I was suffering with depression - quite severely.

Why did I stick with it, and why have I shown it to you? All the quilts are a part of me, and this one used many new techniques - Angelina film, printing on fabric, using Heat 'n' Bond to create moulded flowers, and fabric painting. I did quite enjoy making it, and I think it shows some of the lighter side of the book, the grim nature of it, and the zany-ness of it too! Not bad, for a quilt 24 inches square.

It's lovely in the sunshine

It's a lovely sunny day here in Westward Ho! once again. I'm keeping an eye on the shingles to make sure it's not coming back with a vengeance, and this involves getting up early in the morning. That's not entirely true, I get up early to make the most of the coolness in the flat before the sun comes into the flat. I love having the sunshine and the blue sky, and the heat, but the heat is not comfortable for quilting - well, it wouldn't be, would it; sitting under a quilt with the sun blazing down into a room that is effectively a greenhouse.

Anyway - the next installment of my endeavours. Today I'm going to show you a competition entry.

This is a bag I made for the Patchworks competition back in 2004. Patchworks is a shop in Scotland, and you paid about £6 for some fabrics that you made into whatever you wanted. You could add other fabrics as well. I can't remember which charity the competition was raising money for - it may have been breast cancer. I used one of my favourite fabrics - the chocolate one - twice; once on the outside, and then again on the inside for the pocket. I used and adapted a pattern from Barbara Randle's book - Crazy Quilting with Attitude, the bag also appeared in Popular Patchwork several years ago. I adapted it by adding a single shoulder strap on the gusset, and by creating a flap so that the bag could be closed over the top, rather than in the middle - I thought this made it a bit more secure. I used the stitch and flip method to piece the bag, and added ribbons and couched decorative threads for embellishments. The use of ribbon served two purposes; one was to use the means of tying the fabrics together for posting, and the second was to hide an unsightly join in the fabric. I couched the threads using invisible thread to add some movement to the piece, and used the colours of the fabric pack. I used some of the embroidery stitches on the machine along the ribbon, and along the gusset.

The bag didn't win any prizes, but it was fun to do, and I stretched the limits of my skills to achieve something that was attractive, practical and useful. It made me think carefully about what was required, and how to achieve the finished product - it was an exercise in creative thinking and problem solving.

That's all there is for now - check again soon for the next installment.